Navatman

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Navatman: Looking at 2016 and moving into 2017

​As we roll into Thanksgiving and the end of the year, the Navatman staff sets its eyes on 2017. Between an exceptional batch of artists at Drive East; the graduation of our fourth arangetram student, the Navatman Music Collective dropping an incredible album, and Navatman Dance collaborating with major artists; our year has been full of wonderful achievements and exciting steps forward.

Sridhar and I, galvanized by the work of this year’s team and excitement of all our branches, have been deep in the midst of planning for 2017. While we planned, the election went on around us. We didn’t give a second thought as to how the results might affect our work here. Now, with its resounding echoes in our ears, we’ve seen how vast the varying American opinion is and can be.

We have always assumed support for the arts included the Indian arts in America. Recent events have made us wonder where we stand in all of this, for as an organization that is clearly American and yet also so specifically “other”, and “exotic”, there is now an added intensity: one where we feel a sense of duty as a culturally diverse group to help maintain safe spaces and contributing to breaking down the overwhelming communication barriers that seem to be in place. This, while also acknowledging and battling the increasing difficulty we will have as a minority led arts organization in the upcoming years.

The importance of this looms in stark contrast to the simplicity and everyday beauty of class and practice, and the joy and laughter that seems to ring throughout this now bonded group of people and voices. To honor this incredible  community and their perspectives, we have been rolling out video biographies of our artists; and are creating an end of the year newsletter - one filled with experiences of Navatman staff, outside artists, professors and teachers we have worked with, and more: each giving their story of how classical Indian arts is beginning to mold and change and impact the lives of many. You’ll see sides of Navatman that perhaps you didn’t realize existed - Navatman at schools in NYC, as an arts management program, as an audience builder and opportunity provider.

Whatever may have happened in 2016, 2017 still looks bright from this side. We’ve had offers to expand, tour, and build, but we continue to need the monetary and volunteer resources alongside your goodwill and excitement to make it happen.

We hope that you’ll take the time to read the articles below and hear the different perspectives we reach out to, and see the many ways we are trying to make an impact, and even maybe take a second to contribute to our future in 2017 and years to come.

Warmly,

Sahasra Sambamoorthi and Sridhar Shanmugam
​Navatman Co-Presidents

2016 Metrics: here's our social media influence and number of Spotify listens.

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Want to know how many YouTube views we had this year or how many of our students we give scholarships to? 
​
Read more...

Learn more about the PAMP/PAEP Scholarship Program

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Of particular note for our school this year has been the newly created arts management and arts education scholarship program. Incredibly talented artists of different backgrounds come and train in Navatman’s unique style of non-profit arts management - as performers, teachers, and managers. Each PAMP/PAEP scholarship student at Navatman, as it is called, has work similar to an advanced training program; each person spends their time learning while also contributing to Navatman.

Read more...

Thinking as artists: what do we do now?

​By Shiv Subramaniam
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To put it simply, people at Navatman don’t see performance as the end-all and be-all of art. While the concert hall is certainly important, art’s power to touch and transform us is felt as much in the act of performing as in the process of teaching and learning, as much on stage as in the company of one’s friends or the privacy of one’s home. At Navatman, the word “artist” would apply just as well to a four-year-old starting dance lessons as to a music teacher who has been training for several years.

Read more...

Balamurali Krishna: The Traditionalist's Non-Traditionalist 

​By Kamini Dandapani
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The light of my musical world, Dr. M. Balamurali Krishna, has been extinguished...He played a huge role in my teenage and young adult years - not just musically, but in opening my mind to a way of thinking and living. To not do something just because it has always been done that way. To question assumptions, to push boundaries, to see and seek beauty and truth in fresh and unusual ways. 

Read more...

Courage, Conviction, and the Arts

​By Samantha Lim
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A question I've been asking myself a lot this fundraising season is - what is the value of the arts to you? Why should any small group of individuals give a little more to carry a history forward for a larger group of individuals? The answer I'm left with is again - courage and action. Courage to trust in what you're putting your faith (and more) into, and the action to help make it happen.
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​Read more...

2016 Budgets - Overall and by project + funding for 2017 needed

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Navatman finances many of its projects with the help of its school and donations. Find out more about how and where its funds go and what we're asking for in terms of funding.

​Read more...

An Evolution of Navatman Over Five Years

By Andre Fludd
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As a student and scholar of Indian classical music, it’s no secret that I have a vested interest in supporting Indian performing arts but I have also seen how the lack of support will quickly lead to there being no cultural outlet for our community. Navatman’s initial initiatives of bringing diverse Indian classical arts to diverse audiences ring true to this day...we have to push a step beyond protection to expansion, which is the only way we can ensure the continued success of this unique organization and the rich tradition it represents.

Read more...

The Arangetram Effect

​By Meghana Nemali
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The preparations began and I was granted a transformed access to Bharatanatyam. I was now in charge of my dance experience. With this increased power, I began to develop a new relationship with Bharatanatyam. I was able to choose the pieces I was going to be presenting, personalizing the stories I was able to tell. Performing pieces that suited my personality allowed me to inject my own humor and abilities into my dance. 

Read more...

Navatman Video Biographies

This year we took to our teachers, staff, musicians, dancers, and asked them about their personal experiences in the Indian arts. The results were passionate, beautiful, and extremely touching.

Follow us on YouTube to get them as they release - 

Watch more...

Dancers Wanted to Sustain Bharatanatyam in America, Compensation (Not Always) Commensurate With Experience

​By Nadhi Thekkek
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Dancers need to ask themselves, at what point are unpaid performance opportunities supposed to be paid work? Many of us understand that professional dancers in American dance companies get compensated; in contrast, a vast majority of American bharatanatyam dancers at the local level do not.

Read more... 

Navatman: A modern day gurukul

​By Karishma Shetty
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From the everyday and mundane to the absolutely exciting, this journey with Navatman has felt nothing short of living in a modern-day Gurukul. In the 9 months that I have worked with them, I have learned so much more about the business of dance than I did when I was just learning about the art form in isolation in India.

Read more...

Ragam and Ritmo: The Importance of Drive East

by Jessica Perez
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These [Drive East] spaces connect people from various walks of life, regardless of race and gender identities; here, we come together not only to celebrate our differences, and the dimension those differences give to our lives, but to recognize the fundamental similarities that make us global citizens. In a nation divided by a general inability to empathize with each other, cultural events that come straight from the source humanize us all in a way we never expected. 
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Read more...

Falling in love with the Navatman Music Collective

​By Preetha Raghu
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As we started learning songs, something in me began to change. The initial nervousness I felt began to dissipate, and when that melted, I began to see the lovely people around me. Roopa and Shiv were so giving in their music and never made us feel like we lacked anything other than practice. Each song that we learnt was a new challenge because we had to learn to sing together. ​

Read more...

Dancing as Political Activism

​By Jessica Perez
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Dance can strip you down to your most essential, your most efficient: your body, your mind, and one goal: to move. You can move for a purpose, to convey meaning; or you can move for the sake of moving. It’s this flexible property that makes dance a powerful civic tool...Because dance isn’t bound by languages, borders, or even creeds, it holds the power to unite different people in a fundamentally simple way: as humans, with all of our differences. 

Read more...

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11
backers

$8,375 
of
$30,000 goal
DONATE NOW
Donate to Navatman today and receive one of the fun rewards below:

$1 - Facebook Shout Out ​

​Receive a shoutout on Facebook for helping us for 2017

0 backers

$20 - Website

Get your logo or name under "Navatman Supporters" for 2017

You will also receive:
- A shoutout on Facebook

0 backers

$50 - Tote

​Get a Navatman tote

You will also receive:
- Placement of your logo or name on our website
- a shoutout on Facebook

1 backer

$100 - Join us for an in-person or livestream of Navatman Dance and Music Collective Rehearsal

We will invite you to a rehearsal (in person or live stream) of both Navatman Dance and Navatman Music Collective. Also receive a Navatman tote; your logo or name under "Navatman Supporters" on the website for 2017, and receive a shoutout on Facebook

You will also receive:
- placement of your logo or name on the website
- receive a Navatman tote
- get a shoutout on Facebook

​
4 backers

$250 - We will choreograph a step or sequence just for you!

Navatman students, staff, dance company or music collective will create a small step based on something about you or your personality.

You will also receive:
- an invitation to a dance company and music collective rehearsal
- placement of your logo or name on the website
- receive a Navatman tote
- get a shoutout on Facebook

1 backers

$500 - Co-producer label

We will add you or your company as one of the co-producers on one of the videos we create and acknowledge you or your company in a program for one of the shows
​
You will also receive:
- a personally choreographed dance or music item
- an invitation to a dance company and music collective rehearsal

- place your logo or name on the website
- receive a Navatman tote
- get a shoutout on Facebook

​
1 backer

$1,000 - Co-producer label for all items produced by Navatman in 2017 + Coffee Table book

We will add you or your company name as the co-producers of any videos or shows we create in 2017 (including programs for Drive East, Navatman Dance, and Navatman Music Collective)
​
We will also be creating a coffee table book of Navatman's best pictures from over the years.

You will also receive:
- a personally choreographed dance or music item
- an invitation to a dance company and music collective rehearsal

- place your logo or name on the website
- receive a Navatman tote
- get a shoutout on Facebook

2 backers

$5,000 - Navatman Year Pass

You will receive a year long pass to all of Navatman's events plus an ad in each program we print (such as Navatman Dance, Drive East, Navatman Music Collective shows). This includes a season pass to Drive East.
​
You will also receive:
- Coffee Table book of best Navatman shots over the years
- your name or your company's name as co-producers for any videos we create or shows we have in 2017 (including Drive East, Navatman Dance, and Navatman Music Collective)

- a personally choreographed dance or music item
- an invitation to a dance company and music collective rehearsal

- place your logo or name on the website
- receive a Navatman tote
- get a shoutout on Facebook


1 backer

Where are the funds going?

For every $10,000 we raise, we will donate a workshop or series of classes or free performance for students in an underprivileged area, particularly finding organizations who do not receive any cultural or diminished arts education in middle America.

$10,000 for PAMP/PAEP scholarship program to subsidize our programming for internships and work study programs

$5,000 for Navatman Music Collective and the creation of new work and music videos

$35,000 for Drive East to potentially tour, hire a publicist, gain a marketing budget, and give artists a place to stay while they are here!

$5,000 for Navatman Dance for the creation of new work and music videos

$10,000 for international collaborations of a video project with Srinidhi Raghavan

$1,000 for a professional video camera

*to donate to a specific program, please earmark what you would like it used for. Otherwise donations will be spread across the above as needed.
DONATE ONLINE

Total Raised: $8,775

​Email: [email protected]
Address: 38W 32nd street #300 3rd floor
​
New York NY 10001        
​We do not have a phone :) please email us
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  • About
    • Learn more about Navatman - Sign up
    • Press
    • Work with us
    • Donate
    • Music Collective >
      • NMC Presskit
    • Rentals
    • Directors & Supporters
  • School
    • Schedule & Pricing - Take a class >
      • Baila Society at Navatman
      • Physical Therapy & Yoga at Navatman
    • Class FAQs
    • Class Descriptions >
      • Adults
      • Kids Ages 5-8
      • Kids Ages 8-12
      • Junior Troupe
      • Professional Track
    • Teachers
    • Workshops, Summer Camp, Intensives
  • Events
    • Baila Society x Navatman: 2026 Showcase
    • Student Sundays
    • Mahabharata - the Film >
      • The Mahabharata Production 2019
    • Dashavatar
    • Past Events >
      • 2024
      • 2023 >
        • Student Showcase 2023
      • 2022
      • 2021
      • 2020
      • 2019
  • Dance Company
  • The Journal